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Sigma fp L hands-on: Tiny camera, big sensor, enormous compromises
Sigma has crammed a 61-megapixel full-frame sensor into the tiny fp L body, but that has meant some big compromises to handling and performance.
Sigma's fp L is a tiny full-frame camera with a 61-megapixel sensor
Sigma has unveiled what it calls the "world's smallest and lightest single lens mirrorless camera," a claim that's easy to believe in looking at it.
'Overwatch' newcomer Sigma has abilities that defy gravity
Blizzard announced the latest Overwatch hero, Sigma, on Monday and now it's revealed more details about the newest addition to the tank roster. The 62-year-old's real name is Siebren de Kuiper, and he's a Dutch astrophysicist and professor.
The next 'Overwatch' hero is yet another evil scientist
Blizzard waited a little longer than fans expected, but it has at last revealed the identity of Overwatch's 31st playable character. Following a couple of mathematical-oriented teasers over the weekend, the developer confirmed rumors and leaks that Sigma is joining the ranks.
The Sigma fp is the 'world’s smallest' full-frame mirrorless camera
Sigma is known for being extra. It's pulled off stunts like a super wide-angle version of its super wide-angle camera, experimented with peculiar shapes and introduced lenses that let you shoot macro from a distance. Now, the company has unveiled the Sigma fp, the world's smallest, lightest mirrorless digital camera with a full-frame sensor.
The evolution of cognitive architecture will deliver human-like AI
There's no one right way to build a robot, just as there's no singular means of imparting it with intelligence. Last month, Engadget spoke with Carnegie Mellon University associate research professor and the director of the Resilient Intelligent Systems Lab, Nathan Michael, whose work involves stacking and combining a robot's various piecemeal capabilities together as it learns them into an amalgamated artificial general intelligence (AGI). Think, a Roomba that learns how to vacuum, then learns how to mop, then learns how to dust and do dishes -- pretty soon, you've got Rosie from The Jetsons.
How to pick a lens for your mirrorless camera in 2019
When buying a mirrorless camera, there's an equally crucial side question: What lenses do I need for this thing? The glass you place in front of that sensor plays a key role in how your photos or videos look and what kind of shooting you can do. It's a complex decision too. You need to consider factors like sharpness, distortion, speed, prime or zoom and, most important, price. In this guide, I'll touch on all that and look at some of the best lenses for Sony, Canon, Nikon, Fujifilm and Micro Four Thirds mirrorless cameras.
Sony's full-frame mirrorless cameras finally have some competition
Since the launch of the A7 and A7R in 2013, Sony has had virtually no competition in the full-frame mirrorless space. Major players like Canon, Nikon and Panasonic were keeping their focus on other camera formats, such as APS-C, Micro Four Thirds, point-and-shoots and full-frame DSLRs. But that's all starting to change. At Photokina 2018, Panasonic introduced its first full-frame mirrorless cameras, the Lumix S1R and S1, which feature 47- and 24-megapixel sensors, respectively. While these are still in development and likely won't launch until next year, the fact that Panasonic has finally given in and is making a full-frame mirrorless shows Sony is about to start facing some serious competition. It validates all the efforts the company's been making in that market for the past few years, leading up to the gold standard that's its latest model, the A7 III.
Panasonic announces two full-frame L-Mount mirrorless cameras
Following the launch of the L-Mount alliance, Panasonic has revealed a pair of full-frame L-Mount mirrorless cameras, the 47-megapixel Lumix S1R and 24-megapixel S1. Both have built-in image stabilization, a large, high-resolution EVF, triaxial tilt LCD for both selfie photographers and vloggers, the highest flash sync speeds on the market, and double slots for SD and XQD cards. Both models are set to arrive in spring of 2019, with further specifications to be revealed later. To take on its larger rivals, Panasonic isn't going it alone. It has partnered with Sigma and Leica, and will be using Leica's existing full-frame-L mount system. That's a practical move, as Panasonic and Leica have worked together in the past, and Leica already has nearly a dozen SL lenses and adapters. The mount is compatible with its APS-C TL lenses, too.
Panasonic, Leica and Sigma unveil the L-Mount mirrorless alliance
Panasonic, Leica and Sigma have joined forces to create the L-Mount alliance for full-frame and APS-C sensor cameras to better compete against Nikon, Canon and Sony. The alliance will support Leica's L-Mount system, first launched in 2014 and used by the company for its TL APS-C and SL full-frame mirrorless models. The alliance makes it likely that Panasonic and possibly Sigma will unveil their own full-frame L-Mount mirrorless cameras and lenses soon.
Sigma makes a super wide-angle version of its super wide camera
Don't think Sigma's extremely wide dp Quattro cameras are outrageous enough? Don't worry, the company has you covered. The new dp0 Quattro mates a new version of Sigma's high-detail Foveon X3 sensor (billed here as equal to a 39-megapixel conventional sensor) with a fixed 14mm f/4 ultra wide-angle lens. Yes, you read that correctly -- buy a dp0 and your only choice is to capture all-encompassing shots. While the glass corrects for the chromatic aberrations and distortions you sometimes see in wide-angle imagery, you'll need a penchant for shooting landscapes or real estate ads if this is going to make much sense. Sigma isn't talking about prices or ship dates for the dp0 just yet, but the $999 price of both the dp1 and dp2 suggests that you'll be paying a hefty sum to own a compact cam with freaky optics.
Sigma's unique dp2 Quattro camera can be yours in August for $999
The dp2 Quattro is a strange looking camera. Its extra-wide design is quite unusual, but if Sigma's CEO is to believed, the 29-megapixel shooter will deliver superior image quality thanks to its unique sensor. The Quattro layers pixels in order to capture red, green and blue colors vertically -- there's no need for interpolation, resulting in sharper, more vibrant photos. The company claims that the dp2 can output an equivalent of 39 megapixels, based on tests that pit the chip against traditional sensors. The dp2 is expected to ship in early August for $999, including a fixed 30mm (45mm equivalent) f/2.8 lens. Pricing info for the dp1 and dp3, which come with permanently attached 19mm and 50mm lenses, respectively, is not yet available.
Sigma's CEO wants you to focus on the dp2 Quattro's new sensor, not its peculiar design
This was a bit of a shocker to us as well: Kazuto Yamaki, Sigma's chief executive and lead design guru, doesn't want you to be distracted by the dp Quattro's strange shape. The extra-wide footprint is of course what first turned us on to this high-end camera, but the takeaway here should be the shooter's 29-megapixel Foveon X3 CMOS direct image sensor, which Yamaki says enables a reduced file size and better high-ISO performance. That refreshed chip operates similarly to traditional color film, using multiple layers to capture enhanced detail. That, along with a new processor, should produce sharper, more realistic images with vibrant colors -- something Sigma describes as "full-bodied image quality." Without an opportunity to review full-resolution samples, we can't really speak to the dp Quattro's performance, but there's no question that company reps are very excited about this new device. The unusual design is what captured our attention, and judging by the long queue at Sigma's CP+ booth in Yokohama, Japan today, consumers are quite curious as well. Our first thought was that the company widened the body to accommodate a larger display, but the 920k-dot, 3-inch LCD is shockingly ordinary. The model seen here is the dp2, which features a fixed 28mm f/2.8 lens, but Sigma is also releasing the dp1, which includes a 45mm f/2.8 optic and the dp3, which sports a 75mm equivalent lens (yes, you'll need three cameras to take advantage of all three focal lengths). Since there's a lot of real estate to work with, the buttons and control dials have plenty of room to stretch out -- it literally couldn't feel less cramped, so if you're often accidentally tapping more than one button, you'll love what Sigma's done here. There's also a hot shoe, and once you attach a full-size flash, the dp may feel better balanced.
Sigma's dp Quattro cameras boast higher-resolution sensors and an extra-wide design
No, you're not looking at a projector -- it's the dp2 Quattro, the first of three cameras in Sigma's new dp Quattro lineup. That unusually wide, almost cinematic body is meant to provide a more balanced feel in the hand than the compact design of its predecessors. However, the real centerpiece is underneath: every camera has a new version of the three-layer, color-rich Foveon X3 sensor that takes higher resolution photos (20 megapixels versus 15.3) while improving both performance and battery life. Sigma has also made a leap to a faster TRUE III image processor. Unusually, there's also an optical viewfinder available for purists, which should work well with the fixed lenses. The dp2 Quattro will come with a 30mm f/2.8 general purpose lens, while the dp1 and dp3 will respectively carry 19mm wide-angle and 50mm telephoto optics. The company hasn't said just when the Quattro cameras will ship, but history suggests that they won't be cheap.
Sigma 18-35mm f/1.8 APS-C zoom lens priced at a surprisingly reasonable $800
When we came across the Sigma 18-35mm f/1.8 DC HSM a couple of months ago, the first thing that popped into our heads was: how much? After all, it's the first-ever zoom lens with a constant sub f/2.0 aperture, and even those with a higher f/2.8 go for thousands of dollars. Well, luckily for camera enthusiasts everywhere, the Sigma 18-35mm f/1.8 DC HSM has a street price of $799 -- less than half what we expected. Better yet, it'll be available in "early July" in Sigma and Canon mounts, which means it'll arrive just in time for some of you to shoot creamy bokeh shots of sunflowers in bloom. Nikon, Sony and Pentax mounts will come later in the year.
Sigma announces 18-35mm f/1.8 APS-C zoom, breaks the elusive f/2.0 barrier
After opening a lot of eyes with its 30mm, F1.4 DC HSM lens, Sigma's just thrown another curve at the photo community with a feat that the major players haven't managed so far: a zoom lens with a fixed, sub f/2.0 aperture. The Sigma 18-35mm f/1.8 DC HSM that launched today for Canon APS-C cameras flew under everybody's radar and flaunts over double the light-gathering powers of the priciest zooms, which typically top out at f/2.8 -- except for Olympus' $2,300 14-35mm f/2.0 Four Thirds model. The extra third of a stop over that model may not seem like much, but the company said it needed to "solve a variety of technical challenges" to build it in order to minimize distortion and aberration. Sigma's also promising fast autofocus via a hypersonic motor (with full-time manual override) and rubber-coated brass construction. There's no pricing or availability yet, but don't expect it to be cheap (think $2k plus) -- after all, it's the only game in town for now.
Sigma DP3 Merrill to ship in March, deliver distance macros for $999
Sigma may have left us waiting on details for the DP3 Merrill's launch, but not for long. It just confirmed that its next crack at a small Foveon X3 camera will reach US shops in March, when it should cost the same $999 on the street as its Merrill siblings. You're mostly getting a change in optics with the DP3 variant: it brings in a 50mm (75mm with crop factor) f/2.8 lens that allows bright macro and telephoto shots without cozying up to the subject. As long as you can live with quirks like VGA-only video, the DP3 Merrill is ready to pre-order at the source link.
Sigma unveils three new MFT and Sony E-Mount lenses
Despite the raves that recent micro four-thirds and Sony E-Mount cameras have received of late, there's still a dearth of lenses for the fledgeling systems compared to their more entrenched counterparts. Luckily, Sigma's just added to the pool of autofocus-equipped models for each system: updated 19mm F2.8 DN and 30mm F2.8 DN models along with an all-new 60mm F2.8 DN telephoto lens. Each Japan-made model has a "telecentric" optical design to minimize CMOS color issues, a metal exterior with silver or black color options, and a linear autofocus motor that Sigma claims is quiet enough to use for video. Meanwhile, the imaging outfit also announced an updated 30mm, F1.4 DC HSM model for Canon APS-C, Nikon DX and its own Sigma mount. All that's great news, though we're still waiting for an AF/electronic F1.4 or faster lens for E-Mount (there's only one on MFT as well) -- though this might tide us over, in the meantime. See the PR after the break for more info.
Sigma DP3 Merrill packs a Foveon X3 sensor and a fixed F2.8, 75mm-equivalent lens
Fans of Sigma's compact series will be delighted by the news of this new camera. Dubbed the DP3 Merrill, this compact camera comes with the same 46-megapixel (15.3-megapixel equivalent) Foveon X3 APS-C sensor as seen on its two other DP Merrill siblings as well as the SD1 DSLR. Where the DP1 came with a 28mm-equivalent lens and the DP2 with a 45mm-equivalent, this new DP3 packs a 75mm-equivalent lens (marked 50mm), and yes, it's still F2.8. The focal length might not be everyone's cup of tea, but it can still do macro at down to 22.6cm (with up to 1:3 magnification), and at 400g, this should still catch the interest of Foveon fans. The DP3 Merrill uses True II image processing engine and boasts a ISO 100 to 6400, and it offers nine focal points, 7fps continuous shooting, a 3-inch 0.92-megapixel LCD and a more intuitive UI. Sadly, for video it's still stuck with VGA resolution. We'll let you guys know when we get a price and a date, so stay tuned.
Sigma Designs' new EasyTV comes with Wireless Display
You'd be forgiven for not knowing Sigma Designs' name, but it makes reference designs for plenty of other familiar names. It's outing a reference design for a new wireless dongle that'll help you share your smartphone's display on your HDTV in seconds. Powered by Qualcomm's Atheros AR6203 with 802.11n WiFi, the company is hoping to gain Miracast certification for the unit later in the year. Assuming, of course, that you don't just pick up a TV with such fanciful technology built-in. Follow all the latest CES 2013 news at our event hub.
