We were wondering (seriously, it has been on our conscience at night) which carrier would be the first to go completely DRM-free in respect to its music catalog, and now Vodafone has stepped in to claim said throne. This week, the operator has inked deals with Universal Music Group, Sony Music Entertainment and EMI Music to bring tunes to handsets and PCs sans any nasty DRM, and for those who already downloaded DRM-laced files in the past, they'll be able to upgrade to DRM-free without a charge so long as they do it soon. And to think -- something like this would've been stopped cold at the drawing board by record label execs just a few years back. Desperate times call for desperate measures, right?

In a new twist to the wearisome saga of the Beatles digitizing their music catalog for iTunes (or any digital service, for that matter), Paul McCartney says that the negotiations have "stalled." McCartney said, "It's between EMI and the Beatles, I think," before adding, "I really hope it will happen because I think it should." While an EMI spokeswoman sounded hopeful about the matter getting resolved, we'll just assume this is all Yoko's fault in keeping with tradition.

We're not sure why the music industry thinks consumers want to buy even more physical media, but it can't seem to stop pumping out plastic in a futile attempt to stay relevant -- this time it's an initiative called slotMusic, announced today in partnership with SanDisk and several major retailers. The 1GB slotMusic microSD cards are preloaded with DRM-free 320kbps MP3s, and are aimed primarily at mobile phones -- the idea is that you'll be able to buy music and listen to it without having to sideload it onto your device using your computer at home. Sure, we can see the appeal of that, but when we half-facetiously asked SanDisk's reps if they expected us to carry around a stack of individual microSD albums, they didn't laugh when they said yes, and even told us that slotMusic media binders would be available at launch -- no, they weren't kidding. We're not sure anyone's going to be sold on going back to lugging around physical media with the iTunes and Zune WiFi stores out there, but it sounds like we'll be seeing quite a push for this from retailers and the labels -- and artists are apparently enthusiastic about using the full 1GB of space to include content beyond basic liner notes and cover art. We'll see when these launch around the holidays -- if we had to guess, we'd say this is just Ringles and CDVU+ part III.

Word on the street (and by street, we mean mostly British tabloids) is that Paul McCartney's deal to sell the Beatles back-catalog is done, and the Greatest Works of Musical Art Ever Recorded will be appearing on the iTunes store "within months." Of course, we've been hearing whispers about this for what seems like a million years, and since both Apple Corps and Apple are delivering "no comment" and "rumor and speculation" responses on the topic, we won't get too excited. Still, there does seem to be some serious movement on this front, with everyone and their mother saying the lot is to be sold any day now for around $400 million -- which is no small sum. We will, of course, keep you abreast of any developments which will lead to you stocking your music players with the Fab Four's work.

[Thanks to everyone who sent this in]

Man, Qtrax just can't stop over-hyping and under-delivering, can it? The company's trumpeting new deals today with EMI Publishing, Sony / ATV Music Publishing, and TVT Records, but of the three deals, only TVT will actually have music available for download. The deals with EMI and Sony / ATV are for publishing rights only, and since publishing companies only represent songwriters, and don't actually own the rights to the song recordings, Qtrax still can't offer songs to consumers. It's confusing, but Qtrax needs both types of deals to make things work. Still, considering that the EMI and Sony agreements are extensions of existing agreements, it's a little strange for Qtrax to hype them up -- if you're keeping score at home, this is essentially the same sort of half-truth Qtrax launched under, so it's pretty ballsy of the company to try and pull it again. On the other hand, getting TVT on board is no small feat -- TVT artists include Lil Jon, Ambulance LTD, Dude 'N Em, The Polyphonic Spree, and The Cinematics, so it looks like Qtrax might be getting better at this whole "signing actual deals with labels" thing.

Update: We had said in an earlier version of this post that several major labels had denied having deals in place with Qtrax -- while that's still true, the information was a few weeks old. The deals announced today are for real, but until Qtrax sorts out actual content-distribution rights, nothing's really changed.

[Via Tech Digest]

In a move that could finally sound the death knoll for the universally-hated digital leech known as DRM, Sony BMG Music will reportedly become the last of the top four major labels to offer unprotected tracks for download. Citing people familiar with the arrangement, BusinessWeek.com reports that full details of the label's plan will be released "in the coming weeks," although at least part of its catalog will supposedly be available without DRM sometime this quarter. If this does indeed pan out, Sony would follow EMI, Vivendi Universal, and Warner in moving towards a much more consumer-friendly music distribution model.

[Thanks, Mack S.]

The major record labels' ongoing fixation with physical media continues on, as Universal, EMI, and Warner have each announced plans to sell music preloaded on flash drives. Universal says the move is "aimed at the younger, 12 to 24 year olds, who no longer believe that the CD is as cool as it used to be," but that "people still want to own a physical product." Yeah, too bad that physical product is a DAP. Predictably, the $10 flash drives will cost twice as much as normal CD singles but contain additional content -- just like that ridiculous "ringle" concept we just heard about, only with more plastic and manufacturing involved. There's no word on what format the music will be in or what the DRM will be, but it's not like it really matters, since no one is going to buy these anyway. No word on when we'll see this Stateside, but UK teenagers can expect to be patronized by the record labels sometime in the next few months.

[Via Pocket-lint]

If you're into DRM-free music, you have a reason to get pretty excited today. As speculated, Amazon has launched the public beta of its new digital music portal called Amazon MP3, which will feature two million songs from 180,000 artists and 20,000 labels, all without the painful and annoying restrictions of DRM. The press release claims that the site, which will include EMI and Universal tracks (take that, Jobs), will make separate songs available for $.89 or $.99, and boasts that all of the "top 100" tracks will be priced at the former, lower amount. Albums will range in cost from $5.99 to $9.99, with the best selling albums coming in at $8.99. Of course, since there's no DRM, users are free to throw the 256Kbps MP3s on any player they like, as well as burn CDs, copy to MiniDisc, and dump to 8-track.

It's been a tick since we've heard any peeps from Slacker, but today it announced that it not only inked a deal with a few "top indie labels," but it managed to sign up the likes of EMI, Universal Music Group, and Warner Music Group, too. Additionally, "as part of the agreement, Slacker listeners can transfer their personalized stations to Slacker Portable Players with a single click and automatically refresh them via WiFi or USB." On the independent front, IODA, The Orchard, Beggars Group and Matador Records, IRIS, Ubiquity Records and Sanctuary Group PLC are all signed on, further broadening the amount of content available to, well, Slackers. So if your ears are in need of some variety, head on over to the firm's website to try out the (freshly expanded) Slacker Personal Radio beta.

Read - Slacker Finalizes Deals With Major Labels
Read - Slacker Inks Deals with Top Indie Labels

The DRM dominos continue to fall with Wal-mart joining the DRM-free for all. Their new MP3 catalog (no AAC player limitations here, folks) includes "thousands of albums and songs" from both EMI and Universal Music Group (presumably, as a trial) at $0.94 per track or $9.22 per album. The new MP3s are encoded at 256kbps versus their usual 128kbps WMA "protected" downloads. So what's the matter Sony BMG and Warner Music, don't you like parties?

It looks like AllofMP3 founder Denis Kvasov will be evading any time in the gulag, at least for the moment. If you'll recall, EMI, Universal, and Warner Music filed suits against the highly dubious MP3-portal's founder after launching a whirlwind attack resulting in Mastercard and Visa pulling their services for the Russian-based site, and the eventual collapse of the pretty-much-illegal download service. The suit sought damages from the "entrepreneur" to the tune of 15 million rubles (about $590,700 US), but according to reports, a Cheryomushky District Court judge threw out the case against Kvasov, stating that a legal loophole allowing AllofMP3's particular kind of online music distribution continued through 2006 -- one year after Kvasov left the company. Of course, two more cases are pending against the mogul, so it seems likely we'll be hearing a lot more on this in the coming days and weeks.

Here's a message for all the young ones out there: crime doesn't pay, not even for Russian semi-legal music semi-pirates. Or at least that's the way things are looking for Denis Kvasov, former owner of AllofMP3.com. Though the site was shut down earlier this month, Kvasov is still on the hook damages to EMI, Warner and Universal, to the tune of 15 million rubles ($590,715 US), and could face three years in jail as well. The amount seems a bit light, considering the RIAA's $750 to $30,000 per song demands here in the States, but legality of the AllofMP3 service is still in question, since under Russian law the site was ostensibly playing by the rules and paying "copyright fees" to all the right organizations. Of course, consumers don't have to look far to find Alltunes and MP3Sparks, virtual clones of AllofMP3, and Alltunes recently won a court case against a Russian agent of Visa that had cut off payments for the online store, so record labels have to be asking themselves how much progress they've really made in fighting this gray market hydra.

Hot on the heels of EMI / Apple's iTunes Plus offerings, and Amazon's DRM-free music store, comes news that the industry media-providing MusicNet service will be making a 1-million-song outlay of EMI and indie tracks to its waiting corporate partners, sans DRM. So what does this mean for us? Well, clearly the DRM-bucking trends that have been put into play are causing some serious ripple effects throughout the industry, and since MusicNet provides content to places like Yahoo! Music Unlimited, HMV Digital, and URGE -- not exactly small potatoes -- it's likely we'll start seeing free-er music popping up all over the place. Don't get too comfortable though, the RIAA will still find ways to make your life hell.

[Via TG Daily]

Ok Fair Use advocates, listen up. EMI senior VP Lauren Berkowitz has just given her initial sales report following their much ballyhooed DRM-free launch on iTunes Plus last month. The results? Well, "good" is the word she used to summarize sales. During the first week of availability, sales of Pink Floyd's Dark Side of the Moon were up 350 percent. Even now, after all the initial excitement, sales remain 272 percent higher. To a lesser degree, other EMI artists are also riding the DRM-free, download bump; even while their respective CD sales have tailed off. For example, downloads for Norah Jones' Come Away with Me are up some 24 percent while CD sales have dropped 33 percent. Still, the DRM-free tracks were launched only three weeks ago which is far too early for any kind of proper trend analysis. We also don't have any correlating data to demonstrate an increase (or decrease) in piracy -- something the record labels will likely weigh in equal importance. Things do look promising though, eh?

[Via Ars Technica]

iTunes updates always seem to come with some growing pains, and yesterday's release of iTunes Plus and iTunes 7.2 doesn't look like it's any exception. We're hearing reports that the new iTunes Plus "Upgrade My Library" feature doesn't work as expected (when it works at all), that Plus downloads are incredibly slow and frequently time out, and that the preference to always see iTunes Plus tracks when they're available occasionally resets itself. On top of all that, the intrepid Apple sleuths over at TUAW have discovered that while iTunes Plus tracks might be DRM-free, they still contain your name and account information -- which seems like a fair piracy-prevention compromise to us, but has apparently rubbed a few people the wrong way. We're not sure if the various iTunes Plus problems are in iTunes 7.2 itself or just the result of pent-up demand for DRM-free EMI tracks overwhelming Apple's servers, but you can bet that Steve's minions are busy getting iTunes 7.2.1 ready as we speak.