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A first look at Canon's EOS 5D Mark IV
The long-awaited EOS 5D Mark IV is getting ready to hit retailers later this month. And, as expected, it is a worthy successor to one of Canon's most popular DSLRs, the 5D Mark III. At least based on specs. It features a massive 30.4-megapixel CMOS sensor, a Digic 6+ processor and, perhaps most importantly, 4K video at 23.98, 24, 25 and 30 fps. Additionally, the 5D Mark IV comes with a 61-point autofocus system, an ISO range of 100-32,000 a built-in digital lens optimizer, NFC and WiFi. We had the chance to check it out for the first time at an event in New York City and, not surprisingly, it looks nearly identical to its predecessor.
'5D' discs can store data until well after the sun burns out
Researchers at the University of Southampton's Optical Research Center announced on Tuesday that they've perfected a technique that can record data in 5 dimensions and keep it safe for billions of years. The method etches data into a thermally stable disc using femtosecond laser bursts. The storage medium itself holds up to 360 TB per disc, can withstand temperatures up to 1000 degrees C and are estimated to last up to 13.8 billion years at room temperature without degrading.
Canon 5D Mark III now captures 24 fps RAW video thanks to Magic Lantern firmware add-on (update: Mark II also)
It's no secret that Canon's 5D Mark III is the go-to DSLR for videographers the world over, but things are about to become a whole lot more interesting. The people behind Magic Lantern have successfully coaxed the 5D Mark III into shooting 24 fps RAW video at resolutions up to 1,920 x 820 pixels using 1000x speed cards. If you're not familiar with Magic Lantern, it's an open source firmware add-on that brings additional functionality to Canon EOS cameras. The ability to capture RAW video at 24 fps improves dynamic range and resolution -- it also provides extra flexibility during post-production. According to the team at Magic Lantern, more work is required before the feature is ready to be deployed. So until then, you're invited to follow the via link below and watch the RAW vs. H.264 videos after the break, or if you're feeling brave, check the source for download locations. Update: We just received news from Magic Lantern that Canon's Mark II is now also a go for 24 fps with the new firmware. Nic from the development team said "After some further testing it is clear the older, cheaper Mark II should be able to record at least resolutions of 1880x840 in full-frame mode (with line skipping)."
Canon 5D Mark III firmware update enables improved AF, uncompressed HDMI output
If your camera arsenal includes a 5D Mark III, prepare to get your download on. Earlier today, Canon released a major firmware update for the hit DSLR -- version 1.2.1 enables clean, uncompressed HDMI output with simultaneous LCD display and recording to CF or SD cards, along with cross-type autofocus for apertures as small as f/8, bringing that aspect of AF capability in line with the EOS-1D X. You'll be able to take advantage of improved autofocus performance even when using an f/5.6 lens with a 1.4x extender, or an f/4 lens with a 2x extender. On the video front, version 1.2.1 will let you boot an uncompressed YCbCr 4:2:2 feed to an external recorder, enabling your pick of codecs and frame rates, while also eliminating arbitrary limits on record time. The free download, available for recent versions of Mac OS and Windows, is yours for the taking at the source link below.
Canon's upcoming 5D Mark III firmware update brings uncompressed HDMI output support, enhanced AF functionality
Proud owners of that sleek and relatively powerful Mark III will be happy to know Canon has just announced a firmware update for its flagship 5D model. The Japanese camera maker is touting this upcoming release as one that will bring clean HDMI-out support to the EOS shooter, which should be great for folks who would like to monitor their recordings in real time. Additionally, Canon's improved the Mark III's AF functionalities yet again; this time out by enabling the unit's auto focus system to adequately adjust to the type of lens that it is paired with. Unfortunately, it looks like users will have to wait a little while to install the new firmware, as the company won't be making it available until April of next year -- at which point it can be grabbed from the soon-to-be bookmarked source link below.
Canon 5D Mark III hits US retailers, available in stores today
Well, that didn't take long at all. Hours after our Canon 5D Mark III review went live, we've received word that the camera is already available for purchase, and if you happen to live in New York City and can make it to B&H before 7PM, you could even take one home today! A call to the retailer confirmed that there are just three kits available, each with a 24-105mm f/4 L IS USM lens in the box for $4,299. If you're looking for a body-only version, you'll need to hang tight, but if you don't mind splurging on the pricey duo, now would be the time to cancel those Thursday night dinner plans in favor of some low-light NYC shooting.
Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Canon EOS 5D Mark III high-ISO sample images (hands-on)
Canon unveiled its highly-anticipated EOS 5D Mark III just 10 days ago, but we already have a pre-production sample in-hand, and will be putting it through its paces over the next week. Today's installment focuses on high-sensitivity still image shooting, which we conducted at Gyeongbokgung Palace in Seoul, South Korea. We chose a dimly lit temple as our test subject, shooting a handful of images at ISO settings ranging from 800 to the camera's top native sensitivity of 25,600, and extended modes of ISO 51,200 and ISO 102,400. All images were captured at f/8 with a 24-105mm L lens.As expected, the camera offered excellent performance at all of the native settings -- as you can see from the image above, there's some noise noticeable when viewing an image at full size, though considering the camera's top resolution of 22.3 megapixels, we hardly see ISO 25,600 being an issue. Jumping beyond the top native range did yield significant noise, but assuming you're shooting for the web, even these settings are usable. Chances are, you won't often be examining images at a 1:1 pixel view, so jump past the break to see how each of the four frames represented above will look when scaled to a web-friendly 600-pixels-wide resolution, then hit up our source link to grab full-res JPEGs of each image captured during the shoot.
Canon will now add locking mode dial to your EOS 5D Mark II or 7D... for $100
Oh, sure -- Pentax may have thrown one in gratis on its K-7, and Nikon has done the same on its D3S, but none of that really matters if you're the proud owner of a Canon, now does it? For those fed up with accidentally moving their mode dial during a critical shoot, Canon is now offering a chargeable service for the EOS 5D Mark II and EOS 7D cameras. For the tidy sum of $100, the outfit will install a Mode Dial with a center-located lock button -- the goal here is to prevent the wheel from moving during "normal camera operation," while simultaneously milking an extra Benjamin out of the outfit's loyal customer base. 'Course, there's a glass half-full / half-empty way to look at this. You could bang on Canon for not including this from day one, or you could be grateful to have the option at all. Your move, cynic.
Canon AE-1 and EOS 5D Mark II reincarnated in papercraft form, DIYers welcome to replicate
If you know us, you'd know that we're huge fans of papercraft. It's one of the simplest forms of DIY design expression, but something about it just screams adorable. To that end, we're having somewhat of a panic attack after viewing these -- three famed Canon bodies, all reborn as paper models with an insane level of detail. The Canonflex, AE-1 and EOS 5D Mark II are all present, and they're being offered up to the tinkering public as part of the company's 50th anniversary in producing SLRs. Hit the links below if you're ready to get your fold on, but be mindful that these are PDFs we're directing you to.
Canon 5D Mark II goes back in time with circa-1908 lens
Old camera lenses being re-purposed on modern DSLRs is hardly anything new, but Canon 5D Mark II user Timor Civan's latest bit of kit is anything but common. He came into the possession of a circa 1908 Wollensak 35mm F5.0 Cine-Velostigmat lens (for a hand-cranked film camera) by way of a Russian lens technician described as a "mad scientist," who also managed to fit the lens to the 5D after about six hours of work. Needless to say, the results speak for themselves. Hit up the source link below for a collection of samples, and a closer look at the lens itself.
HDR video accomplished using dual 5D Mark IIs, is exactly what it sounds like
Are you ready for a wave of HDR to crash over the consumer electronics industry, leaving nothing but oversaturated photos and full-to-the-brim Flickr groups in its wake? We've got a sneaky suspicion that Apple's inclusion of HDR in the iPhone is one of those telling warning signs that you ignore at your own risk, and now we've got HDR video to cower from behind our fast-aging current gen devices. As you might expect, HDR video looks just like HDR stills (an underexposed and an overexposed image combined into one), except in motion. The effect has been accomplished by Soviet Montage Productions, who used two Canon EOS 5D Mark II DSLRs and a beam splitter, which allows each camera to look at the exact same subject, to accomplish the effect. They're short on details on the post-processing end, but we're sure there will be "an app for that" before too long. Sample is after the break. [Thanks, Mike]
Canon updates EOS-1D Mark IV and Rebel T2i / 550D firmware, squashes manual exposure movie bug
When we asked fine readers like yourself how you'd improve the EOS-1D Mark IV and Rebel T2i not a soul mentioned manually exposed video, but if you were personally plagued by a jittery aperture when shooting said footage with certain lenses (a bug that previously appeared in the 5D Mark II) you'll be happy to hear Canon diligently decided to fix the issue anyhow. The 1.0.8 firmware updates for both aforementioned DSLRs are now available at our source link, but unless you've personally had a problem they may not be worth your time; Canon's changelog shows aside from fixing a few menu misspellings, the new code does absolutely nothing else.
Canon EOS 5D Mark II 2.0.3 firmware yanked due to audio issues, fix is on the way
It's not déjà vu, it's just all happening again. Just over a year after Canon had to bow its head in shame due to a black dot / banding issue that plagued the EOS 5D Mark II, along comes yet another heartache surrounding one of the company's finest DSLRs. The v2.0.3 firmware update that was issued earlier in the week is apparently causing audio problems for some users, with the actual quirk going a little something like this: "Recently we have discovered a malfunction that occurs with Firmware Version 2.0.3, in which the manual recording levels for C1/C2/C3 are changed and the camera becomes unable to record audio if the power is turned off (or if Auto power off takes effect) after registering "Sound Recording: Manual" in the camera user settings. We apologize very sincerely for the inconvenience, but we are going to stop making this firmware available for download. For customers who have already updated to the new firmware, when using the camera with the mode dial set to C1/C2/C3, please either set the sound recording settings to Auto." In the meanwhile, Canon has pulled the update from its support site while it works on a new firmware version to patch things up, but aside from a promise of "soon," there's no way to tell when exactly the new file will hit the pipes. [Thanks to everyone who sent this in]
Canon EOS 5D Mark II firmware 2.0.3 arrives at last to free us from frame rate hell
It's been obvious from day one that it was possible, but after a couple of years of oh-so-painful 30 FPS recording on the EOS 5D Mark II, Canon is finally coming through with its long-promised 2.0.3 update that brings 29.97 FPS and 24 FPS (23.976, to be precise) 1080p recording at last. Even the VGA mode has been swapped to a 29.97 actual rate, and PAL mode has a flat 25 FPS and 23.976 FPS as well. Additional tweaks include a manual volume adjustment (as opposed to the automatic gain the cameras usually employ), a brightness or RGB histogram display (this function, like some of these other features, has been available for a while as a hack), shutter and aperture priority modes have been added for movie shooting, and the audio sampling ramp has been bumped from 44.1KHz to 48KHz. The bad news: now you don't have any excuses for not shooting that heartwrenching mumblecore masterpiece you've been telling everyone you're working on. Hit up the source link for the download instructions. [Thanks to everyone who sent this in]
Canon announces new Wireless File Transmitter units for latest pro models, enables DSLR hive-minding
Canon's 5D Mark II, 7D, and 1D Mark IV have all been released within the past year, more or less, and now they're finally getting the WFT treatment. Canon's Wireless File Transmitter units naturally enable the wireless beaming of pictures from camera to computer, but this latest generation adds some new functionality. 802.11a joins the b and g modes found on earlier models, and once connected the camera can act as an FTP site (available over the internet, if you wish), can beam a realtime preview image to a connected computer, act as a DLNA server, and can even synchronize itself with up to 10 "slave" cameras that all fire at the same time. Naturally this kind of tech won't come cheap, with the 5D's WFT-E4 II A and 7D's WFT-E5A costing $699 (no price yet for the 1D Mark IV's WFT-E2 II A) and yes, rather sadly none are compatible with each other. Did you really think it'd be any other way?
First Canon EOS-1D MKIV footage on display, 5D MKII will join the fun with new 24 / 25 fps firmware next year
Double good news on the Canon front. First off we've got sample footage shot with a brand new Canon EOS-1D Mark IV, which does a good job of showing what the camera can handle under low lighting conditions, as well as serving as a poignant morality tale for skaters, who should never get in cars with strangers. But perhaps even more exciting is word that Canon is developing its own firmware update for the 5D Mark II that will take it into the indie filmmaker-friendly territory of 24 fps and 25 fps -- something that's always been assumed doable since the camera already shoots at 30. Details are scarce, and the firmware won't hit until the "first half of 2010," but if anything it should up the resale value on that 5D of yours while you claw against your credit limit for an EOS-1D Mark IV. Read - First Canon EOS-1D MKIV movie from Vincent Laforet Read - Canon EOS 5D Mark II to get 24 and 25fps in a firmware update!
New SNL title sequence and segments shot using Canon EOS 7D, 5D Mark II
Sure, we'd heard of indie flicks and rumors of studio films being shot on Canon's EOS 5D Mark II, but DSLR video just got a big kick into the mainstream: Saturday Night Live's new opening title sequence was shot using an EOS 7D. SNL director of photography Alex Buono saw that Dublin's People short and was so impressed that he switched over -- and what's more, he's even using the 5D and 7D to shoot various segments, like the faux-mercial for "Bladivan" embedded below. That's a big win for this new breed of video cameras -- and while we're stoked to see new tech take over the old, we're also patiently waiting for someone to start a site dedicated to identifying jelly-motion on network television. [Thanks, Malkmus]
Canon 5D Mark II helmet mount attracts Hollywood's attention
Details are a bit light on this one, but the Planet 5D blog has received an email from the director of photography on 24, who himself received an email from the DP of Dollhouse, who passed on a video of a Canon 5D Mark II helmet mount built by the folks at Panavision. The rig was apparently designed specifically for use in fight scenes and other instances where a very close camera point-of-view is beneficial, and of course for "parachute drops and the like." The story also goes that the mount might have actually been used on Iron Man, although that's yet to be confirmed. Hit up the read link below to check out the video for yourself, although it unfortunately doesn't actually include any sample footage taken with the rig.
